Paul Van Dyk Speaks in Depth about
his Upcoming Album, his Travels, and his Views
on the Current State of the World
By: J.K. Wilson
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For the last 16 years,
Paul Van Dyk has been building a career and a sound
in electronic music that is recognized all over the
world. His travels have given him a unique perspective
on the reach and power of electronic music, and the
role economics plays in the places he performs. I sat
down with PvD during the listening party at
Social for his upcoming album, 'In Between':
Electronic
music speaks to people in a different way, compared
to pop music, jazz, rock, etc. As
the recently voted number one DJ in the world, what does
it say to you, that worldwide, you’re speaking
to that many people on that level?
Well, it’s great, it just shows how great the
music really is, its connecting people all over the
world. Electronic music is the only true global
music. Wherever you go in the world, you find
people completely dedicated and crazy about this music. This
music is the only music that can do that. It’s
difficult to say why, it just is that way.
It seems that
there could be a certain formula to influence people’s emotions; you can have a certain
tempo to make a crowd excited, one to make them relaxed. Is
there a formula in your experience?
I wouldn’t say it’s a formula, definitely
if something is faster it can be more breathtaking
than if its slower. I think the formula is how
intense the music is, how you get the music across,
the feeling across. If you want to have it full-on
energetic and crazy, of course it will come across
a little more aggressive, than something that we’re
listening to right now (new In Between album).
Yeah, this track
is very relaxed, very chill. Do
current events influence the feel of a project you’re
working on in any given year?
Well, all the
tracks on the album have their own story. The
album is called in between because I think we are in
between somehow, you know? We are in between
what’s going on with globalization, are we able
to actually make sure that the people that cannot follow
globalization don’t fall over.
Can we
do that? Climate change, what’s going to happen? We’re
in between big changes on this planet. Since
I travel all the time, I have experiences from all
over the world. Everything I see is inspiring
somehow, and it ends up in my music. That’s
why the album is called what it is.
Speaking of your
travels, how did your trip to India influence your
2003 ‘Reflections’ album?
Well the thing
is that when I went to India. I was just talking
to someone about how its weird that you have this
glitzy fun world, exciting music going on, and you
have so many other things going on, like the war. It’s weird.
India was one of
those experiences. It was very glitzy, fun, you
know? All the Bollywood celebrities, it was crazy
fun, and at the same time, the poverty I saw was unthinkable. I
went through the German consulate and basically asked
for a connection with a charity organization while
I was in India. Ever since, I’ve been supporting
Akancha, a charity organization in Bombay. It
was kind of an initial kick in my ass to move and do
something.
And you recently went to Cuba for a photo shoot in
Havana, what did you see there?
Well, to be honest,
I’m scared that if Cuba
opens up, without protection of the Cubans, there’s
going to be a lot of damage done to the country. You
know we’ve been to houses of people…they
could never have afforded these beautiful houses if
they open up the country, and the rich come over and
spend a million, or two million on the house. Then
these people have to leave. And where do they
go?
So, you know, it’s not all black and
white, of course it’s not good that the country
is so isolated, and the Cubans themselves don’t
have the chance to speak for themselves. But
at the same time, we should be very careful. It’s
a real pearl in the Caribbean; this island is just
beautiful, just fantastic places. This country
needs help, so we should go ahead and help them.
They’re
definitely not a threat to anyone and I think definitely
the policies of the western world towards Cuba should
change, and not to forget that Fidel Castro won’t
be around for much longer. It’s just a
beautiful place, and we all should make sure that this
country isn’t overrun by the bad capitalists.
Some would
argue they’re all bad.
I don’t think so. I think there are good issues
about capitalism, the whole open market, and the possibilities
for everyone to actually make something of their lives. But
at the same time, it is important to give something
back, you know? I truly believe that when it’s
connected with capitalism, democracy is a good thing. Because
at the end of the day, democracy is about if you see
something is wrong in your neighborhood, go ahead and
change it.
The people
have the power to fix it.
Exactly, and
that’s something that rich people
have to do as well as poor people, you know? It’s
our society; it’s the world we live in. Of
course there are people that are having more luck in
their lives than others, but we always have to make
sure that the people who don’t have so much luck
don’t fall down.
Absolutely. In
terms of the music, do people in Cuba have the access
to the music?
Strangely enough,
a few people I worked with over there knew who I
was, they knew my music, so there must be some ways
for them. There was a black
market in East Germany where I grew up, so I’m
pretty sure there’s one in Cuba.
Yeah, I read
that growing up, you were listening to mix tapes
that your friends got a hold of. Thinking
back to then, how much has the music changed?
Drastically. The technology that evolved behind
electronic music, its crazy. It’s a different
world now. It’s helped as well, to be more
creative. You don’t need to figure out
how to create a sound, instead you have a sound, and
you can do something creative with it, and much quicker.
Therefore, it’s easier now, much more creative,
and better.
Given the reach the internet gives you, compared to
the past when you first started, knowing you have the
potential to reach a billion people, how does that
influence your creativity, knowing the reach you have
now versus back then?
It doesn’t actually influence my creativity,
because you are creative, or you’re not creative,
whether you have the internet or you don’t have
it. What the net does is that it speeds up processes,
like the collaboration for example. I can do
something, send it over, they do something, send it
back. It gives great possibilities to actually
collaborate together, even if one person lives in India
and the other person lives in New York.
This is a question that I like to ask a lot because
of the range of answers: Do you experience a change
in the way you perform in a different country, change
the music to match the different crowds you find in
different countries?
Yes, but you
don’t even have to look that far. If
you go to Mansion or you go to Space, two different
clubs in Miami, same city, completely different crowd,
completely different atmosphere. You don’t
even need to look that far, you know?
The thing is,
as a DJ, at least this is my, call it philosophy, I
have a very clear idea about my own sound and the music
I like to bring across. And it’s always
about the interaction with the crowd. So if I
play at Mansion, the interaction would be different
than at Space, so it would be different, but the music
would still be recognizable as PvD.
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